A guy walked onto the train carrying parts of a drum kit. Nothing special happened. Probably didn’t need to mention it. Just, somehow, it seemed cymbolic.
Badoom-ching.
Now, I don’t want to alarm anyone. Because, if you think about it, there is really nothing to be alarmed about. It’s just a figure of speech used to imply the opposite of its literal meaning. And I’m deliberately misusing it to be misleading and just generally confusing.
Forced beat boxing
poor feet poxing
panther panting
tensing taxing
peanut butter
broken banter
tangled wire
some tiny clatter
beauty branded
Berlin battered
tempest tempted
tattered standards
flip it backwards
send it forwards
bounty baked but
nothing matters
prolog foreword
index ending
time false start
a new beginning.
Alliteration
annihilation
no two feet stepping
a provocation
swing a futon back
to a new location
seventeen degrees
of separation
all of us depart
from the chains we’re making
a momentary shuffle
a risk worth taking
seeds of suffering
shelve the covering
sort yourself out
persist in vanishing
it’s just a glimpse
of what’s unseen
the hidden agenda
of every thing
we’ve slayed our illusions
our demons too
the truth is not what’s out there
it’s what we do.
The magnificent boy king, the creator, lord of flies, collects up his insect subjects in the herebefore and instructs them thus: “you have but one purpose in your short life. You must find the nose of an unsuspecting human and fly up it. They may be walking to work or riding a bike or sitting casually in their backyard. Your sworn duty is to find and disrupt these self-important beasts.”
As often happens with the learnings of divine council, all was forgotten upon incarnation. Only a precious few recalled something vaguelly important about the human nose. ‘To breathe is to be’ they would buzz while passing one another. The philosophically inclined among them may seek to inquire, what then is a fly, who passively exchanges gasses through its exoskeleton?
In this manner the Fly Cults developed, gathering in the deserts, shepherding their flocks of sheep, congregating near places of human reverie. The scraps of humanity were their places of worship, sites of dancing and much rubbing of forelimbs.
These were the followers of the great seer Nostrildamus. Who foresaw the great sneeze which was to befall the earth.
It was left to the youth to fight back, to reclaim their birthright. There had to be more to life than serving some predefined mandate, flying in the face of another species. It was time. The maggots were revolting.
Natural and artificial?
That doesn’t really leave much out.
What are they telling us exactly?
This product both does and does not have the characteristic you may or may not be interested in.
“Does this contain nuts?”
“Well, some parts do, some parts don’t.”
“What does that mean?”
“Specifically the parts with nuts, they contain nuts. The rest is nut free.”
Obviously it’s just because we have positive associations with the word ‘natural’ and the only way to legitimately include it here is to also include ‘artificial’ (because the flavour of these marshmallows flavour is not found in nature – you do not want to eat natural gelatin flavour).
Is it natural then? Are we not also a product of nature? Where do we draw the line between our manipulation of the natural world, what we find and repurpose from it and what me modify?
Is the extract of vanilla natural enough to save these impossibly pillowy confections?
Can we put a flower in an android’s hair and somehow overcome its artificiality?
Is cotton natural considering the processes and cultivation involved?
Is a wooden house more natural than a concrete one?
I suppose if they just wrote “flavoured” it wouldn’t have the same connotations – and we take flavouring for granted. Though if it had just said nothing, I would have had nothing to write about. How artificially inspired.
Once
Now I’m only good for barbecue
I was
Weathered by the winds of time
World weary
The glow of youth has gone
But
A pepper is a pepper is a pepper
Now
Skin leathery or crisp
I
Bring flavour with equal satisfaction
See
When we’re all in the same pot
Life itself.
Tired of 2 dimensional films?
Bored with 3 dimensions?
You’ve even tried making the images move by adding time and you can’t seem to break the banality of it all?
Well lament no more… Coming to a cinema near you* –
Critics are calling it: “Unreal”.
“I couldn’t believe what I was seeing.”
“That extra dimension really pulled me in.”
“I’d ride the penteract again.”
*actual proximity to cinema will vary depending on your position in space and time. Depending on your adopted theory of a fifth dimension, your state on this plane could be mathematically valid but will have no bearing on your ability to locate the virtual rollercoaster.